Total Eclipse of the Charts: Soundgarden’s ‘Black Hole Sun,’ Bonnie Tyler & More Shine

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Multiple hits, including by Bill Withers and The Beatles, gained thanks to the April 8 eclipse.

Soundgarden

Soundgarden, photo shoot in Tokyo, Japan, February 1994. Koh Hasebe/Shinko Music/Getty Images

Soundgarden’s “Black Hole Sun” leads a constellation of sun- and moon-related songs on Billboard’s charts in the wake of the solar eclipse seen across parts of North America April 8, ranking at No. 1 on the Hot Hard Rock Songs tally dated April 20.

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The track drew 4.2 million official streams earned (up 34%) and 2.5 million in radio airplay audience (up 19%) and sold 1,000 downloads (up 166%) in the U.S. April 5-11, according to Luminate.

The song becomes Soundgarden’s first No. 1 on the ranking, which began in 2020. (Older songs are eligible to appear on multimetric Billboard charts if ranking in the top half and with meaningful reasons for their resurgences; “Black Hole Sun” was released in 1994 on the band’s album Superunknown.)

The track also appears at Nos. 13, 15 and 19 on the Hot Rock Songs, Hot Alternative Songs and Hot Rock & Alternative Songs surveys, respectively.

It flares 20-4 on Hard Rock Digital Song Sales, marking its best rank since 2017 (following the death of frontman Chris Cornell), and 14-5 on Hard Rock Streaming Songs, its first time in the top five since the list began in 2020.

“Black Hole Sun” was Soundgarden’s first No. 1 song on any Billboard chart, ruling Mainstream Rock Airplay for seven weeks in 1994.

It’s not the only eclipse-adjacent title on Hot Rock & Alternative Songs. Creedence Clearwater Revival’s “Bad Moon Rising” reaches the chart at No. 24 via 3.3 million streams, 164,000 in radio reach and 1,000 sold, with boosts of 7, 88 and 118%, respectively. The song hit No. 2 for the John Fogerty-led act on the Billboard Hot 100 in 1969.

Bonnie Tyler’s “Total Eclipse of the Heart” also rotates back onto the all-format Digital Song Sales chart at No. 5, its second week on the tally (which began in 2004); it ranked at No. 13 for a week in September 2017 – also following a solar eclipse that Aug. 21. It sold 6,000, a vault of 634%. The single, a No. 1 for four weeks on the Hot 100 in 1983, also bounded by 133% to 4.1 million streams and 47% to 3.2 million in airplay audience.

Bill Withers’ “Ain’t No Sunshine,” a No. 3 Hot 100 hit in 1971, boasts new chart activity, too. It debuts at Nos. 136 and 151 on the Billboard Global 200 and Billboard Global Excl. U.S., respectively. It earned 13.3 million streams globally, up 33%, with 5.4 million from listeners in the U.S., up 25%. On the U.S. side, it returns to R&B Digital Song Sales at No. 4 with 1,000 sold, up 45%.

The Beatles’ “Here Comes the Sun” gets in on the action via the Rock Digital Song Sales survey, returning at No. 11 with 1,000 sold, up 114%. King Harvest’s “Dancing in the Moonlight” holds at No. 10 (2,000, up 23%) and Pink Floyd’s “Eclipse” re-enters at No. 14 (1,000, up 512%).

The Dance/Electronic Digital Song Sales chart features a different version of “Total Eclipse of the Heart”: Nicki French’s, from 1995, new at No. 8 (1,000, up 830%).

Interest in the lyrics of eclipse-themed music drives Pink Floyd’s “Eclipse” onto Billboard’s LyricFind U.S. chart, at No. 18. It joins Tyler’s “Total Eclipse of the Heart,” which appeared on the previous ranking at No. 22 and jumps to No. 16.

According to LyricFind, “Total Eclipse of the Heart” snagged a 3,712% increase in lyric usages and searches, while “Eclipse” earned a corresponding 3,153% bump.

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